GraphicConverter can tint lighter shades in one color and darker shades in a different color. Tint your shots with two colors, turning them into duotone images for an enchanted look. Easily create color gradients with up to 10 colors. With the new wide-angle equalization function in GraphicConverter 11, you can now reduce this distortion.ĭo you need a gradient, like for a background in a collage? No problem. Simply drag a folder onto GraphicConverter 12 to view your pictures. GraphicConverter 12 is the universal tool for browsing, enhancing, converting and renaming images. In wide-angle shooting, faces and objects on the left and right edges of the image are often heavily elongated or scrunched. Download GraphicConverter 12 for macOS 10.13 or later and enjoy it on your Mac. Because this is GraphicConverter, we support every archive format under the sun – not just Zip but a dozen others, including TAR and TGZ. Want to know what pictures and documents are contained in an archive file? A double-click is all you need: GraphicConverter temporarily reveals its contents (or re-locks those contents for you). You can even reduce picture noise with six different controllers. When opening RAW files, you can control exposure, contrast, and color correction. That’s particularly noticeable when brightening images with the Exposure slider – images remain clear, with no gray haze as with many JPEG images. If you find yourself using and reusing certain functions repeatedly, you can now save time by easily recording those steps so they can later be applied to other files. In the press, GraphicConverter has been described as a “Swiss Army knife” and as an “all-round wizard for image editing on Macs”. Simple usage and far-reaching options await you along with stability and reliability. GraphicConverter 11 has everything you would expect from a versatile image processing application for your Mac. Want to use a batch function to alter the image size or change the color mode to CMYK? Dozens of batch functions are available. A simple multiple conversion mode takes care of batch runs. You can open over 200 graphic file types and save images in over 80 formats. Want to copy the filename into the IPTC description? GraphicConverter 11 will take care of this for you. Professional users love GraphicConverter 11 because of it’s wide range of functions for handling meta data like Exif, IPTC, XMP and GPS. Use standard tools to edit images or display the most important controls in the window. The slide show for viewing and sorting images is a big hit among users. Simply drag a folder onto GraphicConverter 11 to view your pictures. GraphicConverter 11 is the universal tool for browsing, enhancing, converting and renaming images.
0 Comments
Future research on “Anaconda” reveals that despite some of its negative reviews it did very well at the box office (It pulled in $136,000,000…damn!!). So there was some decent work that went into this creature. The snake is part practical effects and part CGI. In fact you date, I believe I’ve re-watched this film at least 6 times. “Anaconda” may have a slight layer of cheese attached to it, but it’s still damn fun to watch. To get to the point, alot of good characters get swallowed, eaten, consumed, and killed (but not in that order) Their of course is a few great confrontations here and some tense moments involving a big snake lurking just outside their boat. (Note: got to love that rather weird accent he fashions in this film) The crew becomes suspicious and Voight becomes quite the weirdo. Once they pick up Paraguay snake hunter Paul Sarone (as he is reported) things begin to elevate into the worse. The film is centered around this team who are determined to document a long lost tribe known as the Shirishama. Note to viewers, Vouight gets the vote for one of my favorite film death moments…gulp. This man, Jon Voight plays Paul Serone, a rather obsessive snake hunter who “really” wants to capture the giant anaconda rumored to exist within these parts. As they float over the scenic river heading downstream they pick up a stranded man who has other intentions in mind for the team. Moving along, the cast has great chemistry as a National Geographic film crew out on a Amazon rainforest jungle excursion. Note: this African snake jungle role would surely be bad for those J-lo fancy nails…. This was also the same year (1997) that she went on to do the movie “ U-Turn” right after. Jennifer Lopez of course was not to diva level yet taking on the role of Terri Flores. Directed by Luis Llosa, Anaconda features Jennifer Lopez, Ice Cube, Jon Voight, Eric Stoltz, Owen Wilson, Danny Trejo, Kari Wuhrer and Jonathan Hyde. The star cast in “Anaconda” reads like a dream list for snake movie makers. FX was still in it’s infancy and thus highly regarded (especially in the cases in where they simply worked and didn’t look like the demon from the ending of Spawn…blahh). This was considered a different time than now as with nowadays you can throw on the TV and see gigantic CGI dinosaurs roaming around on “Terra Nova” without a second thought. Special FX were still considered state of the art and groundbreaking in many respects. The era takes me back a bit from a time that I happen to know quite well. But if you find that lacking, then you still get a cool snake film regardless. Big snake or not, this earlier 1997 film has some real legitimate substance behind it. If they were to do this film in today’s market, they probably wouldn’t be able to afford it’s star cast so easily. With an estimated budget of $45,000,000, this film was not meant to just fall into the normal “pile of the week” category of releases.Īny intelligent person could deduct that Anaconda happens to feature a rather stellar cast. Now before we get into the fact that this is just another big snake movie, it’s probably worth mentioning that it’s the “better” big snake movie to arrive out of film making. However, I won’t say that I’m much a big fan of the sequels. While one glance at the name might invoke the thought of instant cheese, I have to say quite honesty…I enjoy the sh*t out of this film. A “National Geographic” film crew is taken hostage by an insane hunter, who takes them along on his quest to capture the world’s largest – and deadliest – snake. Quickly change a shape's style with the Style Inspector. OmniGraffle Pro 7.5 Crack Plus with License Key Mac. Omnigraffle pro 6.4 crack keygen for mac os x free. PC TuneUp 2020 Crack Registration Key Free Download NewSocial Media in the LondonRiots, the positive. Share pages quickly with PNG, PDF Export. Logic Pro X latest version: Professional music creation studio. Free Stencils via - search and download on the web or in the app. STANDARD features (in-app purchase) include: Layers. PRO features (in-app purchase) : Visio Import and Export. Unified Sidebar List of Canvases, Layers, and Objects. Cross-Platform Automation with JavaScript. Canvas Size Modes: choose between Fixed, Flexible, or Infinite. NEW IN 3: Redesigned interface to make common tasks readily available. OmniGraffle 3 has features and functionality you won't find anywhere else, and it behaves exactly how you'd expect an iPad and iPhone app should with multitouch gestures, Share Sheet integration, and more. When you need a clear understanding of how information needs to be presented or how processes are carried out, OmniGraffle 3 for iOS is the tool to help you organize your thoughts visually, document them beautifully, and communicate them to the world. A thoughtful sketch or professional diagram communicates far better than words. Need extra security? Use your own server. Sync all of your documents as you make changes using OmniPresence, our open source sync technology. OmniGraffle provides a thoughtful, professional interface for creating everything from basic wireframes to polished interface sketches, tools to construct SVG graphics for your next website, or designing the layout for your next hundred-server project. Best affordable iPad adam and eve kidsforever stamp value 6+ Best. It comes with thousands of searchable objects via Stenciltown, like server racks, space planning stencils, iconography, and more. Use your iPad and iPhone screen as your paper, canvas, and whiteboard-all in one. Create quick, beautiful, and portable charts, graphics, designs, mockups, and more. An incredibly powerful app for both beginners and professionals.
She visits Elliot, apologizes, and watches him sing a song for four whole minutes. Which brings us finally to Rue, who ventures out to make amends in her recovery. But now that he has done a complete 180 and gone on a self-destructive warpath, season three might just see the true downfall of Nate Jacobs. (How big is the police force in this town, by the way?) Just a few episodes ago, Nate went to drastic lengths to protect Cal for the sake of his own future. He takes out a USB stick with all the evidence while the police roll up outside. “You don’t get to ruin our lives and just move on and be happier,” Nate tells him, and reveals the nightmares he has been having of Cal since discovering the videos at 11. If Ethan’s homoerotic dance from the last episode was some wake-up call in golden spandex, it told him to set fire to everything - even his family’s reputation. Speaking of, Nate loads up his gun for some reason again (Chekhov who?) and drives to Cal’s shop, where his dad is living his best life. But if this is their reconciliation, will Maddy even try to prevent her best friend from enduring the same abuse she did? “Don’t worry this is just the beginning.” Strangely, it’s as if Maddy has given her blessing. “Nate broke up with me before I even went up on that stage.” Maddy can only empathize. Their fight ends with an exhausted Maddy, Cassie, and Kat “No Lines” Hernandez in the bathroom. Suze does her best to stop Cassie from committing murder, while giving props to Ethan (finally, someone respects him!), and Maddy does one better by slapping Cassie offstage. For what it’s worth, Lexi has her right to freedom of expression or whatever, but depicting Cassie’s orgasm on the carousel - the single most traumatizing scene I’ve ever had the misfortune of witnessing - maybe crossed a line. Still pissed from getting dumped by Nate, Cassie walks onto the stage to confront Lexi for mining her life for theater. There’s a whole different kind of standoff happening at the East Highland auditorium. But he failed at the most crucial moment, and I think there’s some potential in there to see him wrestle with that. Since childhood Fez has taken on the role of caregiver and protector, stopping at nothing to take care of Ash when no one else would. If the series decides to forgo throwing Fez in prison, I’m intrigued to see what the next season has in store for him. Fez tries to take the fall, but Ash ducks into the bathroom with a militia for a shoot-off that leaves Fez wounded and Ash dead. But the cops are already on their way by the time Ash stabs Custer in the neck. While Custer attempts to get Fez and Ashtray to confess to Mouse’s murder, a wide-eyed Faye valiantly throws him off course by pretending Laurie was the murderer. He’s just a kid with dreams of running away with Lexi to do some “ Little House on the Prairie shit” on a farm and have three kids born exactly a year and a half apart. (Is that it for Maddy and Samantha? Are we ignoring the fact that Rue still owes Laurie money?) Rue is the heart of Euphoria, but the show has also lost sight of its ensemble nature.īut first: Poor, poor Fez. Some threads are tied up with a shrug, while others are completely forgotten. But if the finale resonates emotionally, it’s also lacking in resolution. At the beginning of this season, I wondered whether Sam Levinson could reconcile the restraint of the special episodes with “regular” Euphoria, and I think “All My Life, My Heart Has Yearned for a Thing I Cannot Name” strikes that perfect balance. Group events like those are arguably forgivable, but fans may recall how Jules seems to think it's okay for her and Elliot to steal beer and get drunk, while prohibiting Rue from drinking in the backseat. It's common sense that it will be harder for Rue to maintain her sobriety when she can see her girlfriend and best friend drinking in the car right in front of her. No one is asking Jules to make those kinds of sacrifices for Rue, but she should know that if she can't, it's better for Rue that she's not around to influence her in that way.Euphoria is beloved and loathed alike for being such a head rush of a show, that it comes as a surprise that the finale is so … muted. That's easier said than done, as Rue says herself how it's strange to not be able to do all of the things teens like her are supposed to enjoy. While it isn't Jules' responsibility to take care of Rue and make sure she's staying clean, at the bare minimum, as her girlfriend, it would at least would be nice for her to be supportive by steering clear of events that could trigger Rue's addiction. Here, Huxley's term for birth.įreemartin an imperfectly developed female calf, usually sterile. The process makes possible the production of many identical human beings at roughly the same time.ĭecanting pouring from one container into another. A method for speeding up the ripening of mature eggs. It is the basis for producing identical human beings. A method for producing many identical eggs from a single egg. They are the first five letters of the Greek alphabet, used most commonly in British schools and universities as grades, equivalent to A, B, C, D, and F.īokanovsky's Process Huxley's phrase. Such details remind the reader that any futuristic fiction reveals as much about a writer's response to the present as hopes or fears for the future.Īlpha, Beta, Gamma, Delta, Epsilon the names of the castes of the dystopia. Note, too, the inclusion of early twentieth-century prejudices in the dystopia for example, in the racially charged (and unscientific) comparisons of human ovaries and in the all-male student group. In this world, artificiality itself is a kind of power, competing with and augmenting the forces of nature. In the first chapter, Huxley describes the sunlight as cold and dead, except when it hits the tubes of the microscopes, which turn it a buttery, sun-like yellow. Note especially Huxley's comparison of technology with nature and his point of making technology more alive than nature itself. 632 - the number as well as the "a.f." emphasizing the difference between the reader's world and the futuristic world of the novel. And, to further orient the reader, Huxley fixes a date - a.f. A brief reference to the Hatchery itself - a "squat" building of "only thirty-four stories" - also gives a sense of the surrounding landscape, a city, by implication, of lofty heights. The tour for new students affords a realistic opportunity for Huxley to explain the theories and practices of stability while immersing the reader in the physical world of the dystopia. Huxley employs several narrative techniques to introduce his dystopia in the first chapter. The D.H.C.'s dogma will meet a challenge with John, the "uncivilized" character (introduced in Chapter 7). announces piously that virtue and goodness spring from the work of the social predestinators, whose job is "making people like their inescapable social destiny." With this statement, Huxley introduces a major theme - the role of choice and even pain in becoming a full human being. The eugenics lab answers the identity challenge conditioning manages satisfaction. Stability requires both the elimination of differences (except with regard to caste) and the end of dissatisfaction. and Henry Foster, can complement one another effortlessly, even to the point of completing each other's sentences. In a brilliant adaptation of Ford's assembly line, the Central London Hatchery turns out (nearly) interchangeable human beings, who, like the D.H.C. briskly explains the technology of fertilization - the most intimate human activity - as the carefully calculated, sterile procedure to produce identical people. Personal identity - perhaps even humanity itself - is strangled by the demands of community and stability. The Fordian world does not seem so menacing and sinister as Orwell's 1984, but the reader can see even in the first chapter that the cheeriness masks a dark reality. Stability." All the technology, planning, and conditioning of this World State exist solely to support and maintain these ends. In the reader's first glimpse of the dystopia, Huxley drives home the significance of his futuristic world with the motto "Community. The chapter also introduces two workers at the Centre: Henry Foster, who will figure as a minor character in the story and "pneumatic" Lenina Crowne, a major character who will affect the destiny of the novel's protagonist. The conditioning that goes along with this process aims to make the people accept and even like their "inescapable social destiny." That destiny occurs within a Caste System (or social hierarchy) ranging from the handsome and intelligent Alpha Pluses down to the working drone Epsilons. explains the basic operation of the plant - Bokanovsky's Process - in which one fertilized egg produces from 8 to 96 "buds" that will grow into identical human beings. They begin at the Fertilizing Room, move on to the Bottling Room, the Social Predestination Room, and the Decanting Room. This institution plays an essential role in the artificial reproduction and social conditioning of the world's population.Īs the chapter begins, the Director of the Centre (the D.H.C.) conducts a group of new students, as well as the reader, on a tour of the facility and its operations - a biological version of the assembly line, with test-tube births as the product. The novel opens in the distant future at the Central London Hatchery and Conditioning Centre. "But to be honest, public scrutiny, everyone says, 'Oh, you've had to go through this in public.' The public isn't what's hard what's hard is going through it." You know, if there is any inkling of trouble, or if the tabloids decide there's trouble, it can create trouble. "You feel a pressure to hurry up and get married, 'cause you think that'll end the Are they engaged? Are they not?. "What I think that I've learned is that scrutiny in your private life puts a pressure to make something happen," she said. "What has that been like for you, going through a divorce and having every moment of that played out on the cover of these magazines?" "The public was, and still is, obsessed with your private life," Knighton said. I really – I could cry, talking about it."Īfter ten years of marriage, the A-List power couple who have three children together announced their separation, in 2015. "And looking back on that, I really feel the stress of it. "Well, there was a solid decade where there were five or six cars minimum, and easily up to 15 or 20 on the weekends, outside of my house at all times," Garner said. "Alias" made her a star, but nothing could have prepared Garner for the non-stop tabloid coverage that followed her romance with actor Ben Affleck. It's startling and shocking," she replied. "It changes it in such an instant and enormous way, because it's startling to become recognizable. And I realized that, 'Things are about to get really different for her.' How did that change your life?" Knighton said, "I remember there was a summer in college I'd gone to New York, and I'd seen a billboard for 'Alias,' with you in an orange wig. I can do this.' And I just stood in the room and did it!" I called him, I went to see him every day, and by the time I had my fifth audition for 'Alias,' they said, 'What can you show us?' And I said, 'Well, I've learned a couple of forms. I looked up the local guy who had the most degrees of black belt. Garner said, "I went through the Yellow Pages. It was a role the studio made her fight for … literally. Abrams, inspiring him to create a role with her specifically in mind: super spy Sidney Bristow on TV's "Alias." Jennifer Garner in the spy series "Alias" (2001-2006). A guest spot on the TV series "Felicity" caught the attention of writer-director J.J. So, I had it kind of kicked out of me!"Īfter traveling the country in summer stock theater productions, building sets along the way, Garner started building a small resume of television appearances. And it takes a long time to speak with a twang. "But I loved, loved, loved any play that was just dripping with words, the more words, the better. "When I went to college, I had a bit of a twang – I sounded kind of mountain-y," Garner said. According to Google, this is extremely rare, especially for YouTube Ads. The video series appeared on YouTube Ads Leaderboardtwo months in a row.In essence, this meant having a series of videos linked together via end-cards, both to accommodate the ranking algorithm of YouTube and to keep the user invested.Įxample of a fail scenario: Owen trying to fit Blue into a chopper. The ‘fails’ presented the result of the wrong choice in a funny way while guiding the viewer onwards to the main path. We did this by having entertaining ‘fail’ scenarios and also avoiding backtracking, so that the story always moved forward. We wanted to create a consistently positive experience where the ‘wrong’ choice was just as rewarding as the ‘right’ one. To keep people engaged and not drop out of the story, we created a flow that would take the user on an engaging journey through multiple scenarios, each of them ending with the user having to actively make a choice on how to proceed. We mapped out the key scenes of the movie and their location on the island of Isla Nuba in order to be able to reference our products in an authentic setting, capturing the DNA of the IP. In order to establish the best possible link to the movie that had yet to launch, we stayed true to the movie trailers and the iconic scenes of main character Owen running from the exploding volcano, raising the velociraptor Blue and ultimately venturing into the mission of rescuing Blue. Video being linked together via end-cards to accommodate the ranking algorithm of YouTube and to keep the user invested So, in addition to involving the users as an off-camera character in the story itself, we took advantage of the conventions that users already expect from YouTubers who regularly ask their followers to respond, subscribe or see other related content. Since the campaign's success was based on the ability to get the users to see the videos all the way to the end, we got the film's hero, Owen, to break ‘the fourth wall’ and talk directly to the user. In addition to creating a positive experience for the user, this behaviour plays very well with YouTube’s indexing algorithms because of the longer sessions it encourages. This meant that the users became active participants in the storytelling rather than passive recipients of content. We created a ‘Choose Your Own Adventure’ narrative flow called Rescue Blue that took the user on a journey through several videos, each of which ended by asking them to decide how the story should continue if dinosaur, Blue, was to be saved from the impending danger of an erupting volcano. We were faced with a target group that, because of their use of computer games and online platforms, expect entertainment, surprise and, not least, that they are in control and in the centre of it all, no matter what they do. The challenge was to maintain the essence of Jurassic World and recreate the mood of the film's universe, but at the same time transform it into an engaging experience for children – all while remaining true to the LEGO brand. Continuing our 45-year relationship as global lead agency for LEGO, Advance was assigned to communicate the new LEGO Jurassic World product line on the preferred platform for kids, YouTube. In the spring of 2018, Jurassic World: Fallen Kingdom, the second Jurassic World movie, hit film theatres worldwide. How do you launch a product that ties together the world’s favourite toy brand and one of the biggest franchises in movie history and do it all in way that appeals to fickle and agile minds of digitally-native kids and leverages the viral potential of the platforms they spend time on? Usage of this website implies acceptance of our Terms of Use. Works only in applications that use ACM codecsĬopyright 2004-2021, Codec Guide. Works only in applications that use VFW codecs Supported audio formats (within a container) ULRA, ULRG, ULY0, ULY2, ULY4, UQY2, UQRG, UQRA, ULH0, ULH2, ULH4, UMY2, UMH2, UMY4, UMH4, UMRG, UMRA MJPG, AVRN, AMVV, AMVF, LJPG, JPGL, MJLS, MJPA, MJPB, SP5XĭVSD, DV25, DV50, CDVH, DVCP, DV5P, DV5N, DVPP, DVC, DVH1, DVH2, DVH3, DVH4, DVH5, DVH6, DVHQ, DVHP, AVdv, AVd1, CDVC, CDV5, (DVIS, PDVC) Supported video formats (within a container)ĭIVX, DX50, XVID, MP4V, 3IVX, BLZ0, MPG3, DIV3, DIV4, DIV5, DIV6, 3IV1, 3IV2, FMP4, MP4S, M4S2, DVX3, SEDG, SMP4 Windows 10/11: WMP does not support DVD playback! Windows Vista/7: works with all variants of the codec pack h string This option specifies the Plug and Play (PnP) ID of the device to be tested. c string This option starts the application and runs the test cases that are specified in the. The codec pack uses just a handfull of DirectShow filters. Without any options, the test enumerates devices. You might think that a lot of codecs are needed to support this large list of formats. If you want to know more about the difference in contents of packs, then have a look at the comparison of contents page. The difference between the packs lies mostly in the included tools. As you can see, even the smallest pack already supports playback of almost everything! It is Open-Source software which means that end users and developers have freedom to study, to improve and to redistribute the program ( BSD-style license).In the table below you can view which audio, video, and file formats the K-Lite Codec Pack supports. Localisation capability (for which volunteers are needed - please contact us!).Internationalisation: display any language on any operating system. Integrate with the shell (drag 'n' drop, and Context menu).Graphical user interface, command line interface, or library (.dll/.so/.dylib) versions available.The following devices should support AC-4 audio decoding: Documentation for using UHD, HDR, HEVC, AV1, AC-3 EC-3, AC-4 video with Radiant Media Player. This should however be noted that AC-4 decoding support is not widespread as of end of 2022. This is a pure object-based decoder for Windows 10 with a default mid-binaural rendering. We do support Dolby AC-4 in our player with MPEG-DASH or HLS. This is not any VST effect plugin like boom 3D or some other apps that you find on the Microsoft store or any channel-based upmixer. Export information as text, CSV, HTML. Nothing is being manipulated here, Dolby Access is NOT restricted to 5.1 & 7.1 and then applies a global upmix.View information in different formats (text, sheet, tree, HTML.).Subtitles: CEA-608, CEA-708, DTVCC, SCTE-20, SCTE-128, ATSC/53, CDP, DVB Subtitle, Teletext, SRT, SSA, ASS, SAMI.Audio: MPEG Audio (including MP3), AC3, DTS, AAC, Dolby E, AES3, FLAC.Tags: Id3v1, Id3v2, Vorbis comments, APE tags.Container: MPEG-4, QuickTime, Matroska, AVI, MPEG-PS (including unprotected DVD), MPEG-TS (including unprotected Blu-ray), MXF, GXF, LXF, WMV, FLV, Real.Chapters: count of chapters, list of chapters.Text: format, codec id, language of subtitle.Audio: format, codec id, sample rate, channels, bit depth, language, bit rate.Video: format, codec id, aspect, frame rate, bit rate, color space, chroma subsampling, bit depth, scan type, scan order.Container: format, profile, commercial name of the format, duration, overall bit rate, writing application and library, title, author, director, album, track number, date, duration.Please donate to support further development The MediaInfo data display includes: Simplified identifying members for whom first-line antipsychotic medications may be clinically appropriate only requires applicable diagnoses on two different dates of service in the MYĮxpansion of inclusivity and diversity initiativesĪs NCQA seeks to advance gender-inclusive measurement for transgender health plan members, it is expanding the criteria for the Breast Cancer Screening (BCS-E) and Cervical Cancer Screening (CCS, CCS-E) measures. Use of First-Line Psychosocial Care for Children and Adolescents on Antipsychotics (APP) required exclusions: Simplified to fracture diagnosis 60 days prior to episode date Osteoporosis Management In Women Who Had a Fracture (OMW) negative diagnosis history: Pharmacy data: Added a requirement to also have a diagnosis of diabetes in the MY or PY, removing the Diabetes Exclusions Value Set exclusion as well Now a required exclusion along with I-SNP, LTI, and frailtyĭiabetes measure event/diagnosis criteria:Ĭlaim/encounter data: Simplified to only require two diagnoses of diabetes on different dates of service during the MY or prior year (PY) Simplified to two diagnoses on different dates of service or dispensed dementia medication Notably, NCQA also confirmed that for MY 2025, ICD-9 diagnosis and procedure codes will be removed from value sets.įinally, for several measures, logic that previously required diagnoses in conjunction with visit setting codes has been simplified to require only diagnosis codes: The Observation Value Set has been retired from all measures using itĬonditions using multiple value sets have been combined into single, larger value setsĪll value sets containing only one code have been removed and replaced with direct reference codes Several value sets have been consolidated or removed: Restricting use of lab claims and CPT Category II codes with modifiers is now defined in measures directly for individual applicable value sets The Hospice and Deceased General Guidelines have moved to each applicable measure’s ”Required exclusions” specification In addition, several General Guidelines have now been removed and repurposed elsewhere: Use of Spirometry Testing in the Assessment and Diagnosis of COPD (SPR) Non-Recommended Cervical Cancer Screening in Adolescent Females (NCS) Inpatient Utilization-General Hospital/Acute Care (IPU) Meanwhile, no new measures will be added for MY 2024 and four measures are being retired altogether: Notably, Eye Exam for Patients With Diabetes (EED) will remain a hybrid measure for MY 2024. Metabolic Monitoring for Children and Adolescents on Antipsychotics (APM) Cross-cutting consolidation and simplificationĪs NCQA continues its focus on electronic clinical data acquisition, several measures are being moved from administrative/ hybrid reporting to the electronic clinical data systems (ECDS)-only standard, including:įollow-Up Care for Children Prescribed ADHD Medication (ADD) Here, we break down these changes for health plans across three key themes. With the August publication of the HEDIS Measurement Year 2024 Volume 2: Technical Specifications for Health Plans, the National Committee for Quality Assurance (NCQA) has now confirmed several proposed updates for the Measurement Year (MY) 2024 season following a public comment period earlier this year. # log-directory = Directory to log information to # logind-check-graphical = True to on start seats that are marked as graphical by logind # logind-load-seats = True to automatically set up multi-seat configuration from logind # guest-account-script = Script to be run to setup guest account # user-authority-in-system-dir = True if session authority should be in the system location # lock-memory = True to prevent memory from being paged to disk # minimum-vt = First VT to run displays on # minimum-display-number = Minimum display number to use for X servers # start-default-seat = True to always start one seat if none are defined in the configuration Mwilliams advised to uncomment the following settings and set the user id for the autologin-user (in my case the user id that was specified in the OS installation)Ĭode: cat /etc/lightdm/nf I chose to do it this way & once everything is working OK to change the x11vnc config to secure it Initial setup is not securing the VNC session over SSH. The default path and file is /home/jriver/.vnc/passwd The path is important as it it referenced in the rvice file later on. This will prompt you to set and confirm a password for VNC and notify the path the password will be saved in. # Here we setup a Virtual Display of 1600x900 pixels # This xorg configuration file is meant to be used Accessing mediacenter from the WAN (Internet) - optional Configure services for autostart & restart of mediacenter (thanks mwilliams, bob)ġ1. Configure MediaCenter as per your preferences (import files, views, DLNA servers etc)ĩ. Install JRiver MediaCenter (thanks Awesome Donkey)Ĩ. Create service to start x11vnc on boot, restart if fails (thanks mwilliams)ħ. Configure lightdm, xorg and x11vnc for headless operation (thanks mwilliams, bob)ĥ. Fix the UID / GIDs on the VM (optional?)Ĥ. iohyve – set the VM to start automaticallyĢ.iohyve - set the VM’s CPU, RAM, OS type and loader.iohyve - Define the Virtual Machine (disk space).Configure iohyve on FreeNAS, build the virtual machine X11vnc and jriver Services (mwilliams) - ġ. Some referencesĬonfiguration and virtual machine installation. I could not have got this working without help from other forum members, the FreeNAS forum and articles on the internet. The jriver benchmark score for the Virtual machine is JRMark (version 22.0.71): 2049 I ensure the UID & GIDs for common users are the same across the VMs I run multiple VMs, one of which is for mediacenter. I originally had this, but the USB sticks failed so have moved to an SSDīackup your FreeNAS configuration regularly The hardware has been running without issue for several months Each vdev consists of 2 drives mirroredĪside from the Hard Drives all components were sourced on the secondhand market. HP/LSI 8 Port 6Gb/s External SAS HBA Controller SAS9200-8e-HPĤ x 6TB WD Red NAS drives in 2 vdevs.
|
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |